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#Benjamin moore color match yves klein blue series#

The post Choosing a Color for Garage Doors appeared first on Sensational Color. You can also draw attention to your entry with lighting, colorful plants and flowers, or an interesting bench or other tasteful element near the door. To continue to draw the focus away from the garage and toward the entrance of your home select a beautiful color for the front door. This guarantees that the garage door colors will harmonize with the rest of the home and give you nice curb appeal. If the home is brick find a color that is blends with the color of the brick. There are historic or special doors where this may be appropriate but for the majority of garage doors this would not be the way to go.

DON’T highlight the details of a standard garage door by painting the door in more than one color.

This usually draws too much attention to the garage doors and chops up the facade of the home.

DON’T paint the garage doors in the same accent color as the front door or shutters.

Usually it looks best if it is the same as on the rest of your home but there are times when it may look better to not call attention to the trim with a contrasting color.

DO paint the trim around the doors either to match the door or to match the trim on the rest of your home.

Painting the garage doors the same colors as the body of the house may also make your home appear larger.

DO paint the garage doors in the same color as the house itself and not the trim color or white (unless white is your house color) if you want to keep them from standing out.

Here are my general DO’s and DON’Ts for painting garage doors: However, the vast majority of homes have standard or unattractive garage doors and it is best to have them blend rather than contrast with the main color of the home. In some custom homes the garage doors add to the architectural detail and it makes sense to have them standout. This is even more pronounced on a home with a protruding garage that already dominates the view of the home. I have found that the biggest mistake homeowners make is to use color to draw too much attention to the garage doors rather than downplaying them. Gold leaf was then daubed on it to make stars.Ĭolour is magical, colour is divine - you can’t blame Anish Kapoor or his critics for going mad for Vantablack.Having a garage is great but having one that dominates the front of your home can be a design challenge. In the middle ages, it was mined there and traded at enormous prices to create European images of the blue heavens.

This mineral that creates the colour ultramarine has only ever been found in Afghanistan. Long before Klein created IKB, painters and their patrons paid through the nose for the rarest of pigments, lapis lazuli. It was in reality a con trick concocted by a painter called Ann Provis, who had a good laugh at the men of the Royal Academy. In the 18th century, leading artists including Benjamin West and Joshua Reynolds paid through the nose for the right to use “Titian’s shade”, a mixture of ivory black and Prussian blue that was supposed to be the Venetian master’s secret colour. Black itself has always tantalised painters. But artists can’t be blamed for getting their heads in a twist over a colour.

This creator of sublime chromatic effects is just the guy to make Vantablack look like the new black. In other works, conversely, he paints the ground such an unreflecting black that it appears to be a hole leading deep into the earth. In some of his most beguiling works, he fills holes and voids with colour to create the powerful illusion that you are looking at a flat surface, until you put your hand into the empty blue space. With all due respect – not much, really – to the minor painters who are kicking up a fuss, Kapoor is an ideal artist to experiment with this freaky black. It is a clever move by NanoSystems to associate their material with the greatest colourist in 21st-century art. Kapoor has been working with Vantablack since 2014. Derek Jarman used it in his film Blue and performance artists The Blue Man Group cover themselves with it. He splashed it on to nude models in a performance piece that was sexist even by 1960s standards.

#Benjamin moore color match yves klein blue series#

In 1960, the French artist Yves Klein took out a patent for International Klein Blue (IKB), a deep, matt shade of blue that he developed with a Paris paintmaker and used in a series of monochrome blue paintings. This is not the first time an artist has claimed a unique bond with a particular colour. International Klein Blue … the Blue Man Group daub themselves in Yves Klein’s bespoke colour.